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Normal People
Sally Rooney








“Novels for Sad Girls," "The Voice of the Millennial Generation," "The Taylor Swift of Books," "Paul Mescal, protagonist of the adaptation of Sally Rooney's second book"—these are some of the reviews about Normal People.Honestly, it's all the marketing a publisher could possibly do to ensure girls like me buy, read, and obsess over this book. And if, on top of that, the author is an Irish woman who shuns fame, lives in the countryside outside Dublin, and is so private she doesn't have Instagram or give interviews… what more could I ask for?

Leaving the frivolities aside, I read this book in 2018 with the innocence of approaching something for the first time, unaware that almost two years later, it would become a literary phenomenon.

What at first seems like a typical teenage story—girl meets boy, boy meets girl, they fall in love—Sally Rooney crafts into a portrait of intimacy, vulnerability, and the complexity of human relationships in a quiet, almost invisible way.

Despite being her second novel, it was the first of her works I read, and for some reason, I carried this book everywhere. It almost became a symbol of belonging to a non-existent club for people who felt connected to the "normal" emotions she captured in the love and friendship story of Connell and Marianne. I’d see someone on the subway, in a café, library, or bookstore with this book and feel like saying: I get it, I’ve felt that too. And I think that’s why, over time, Normal Peoplebecame a viral sensation online—it was the perfect refuge for Rooney-like characters who struggle to express their emotions, are overwhelmed by physical contact, feel everyday things with disproportionate sensitivity, and delve into seemingly superficial or mundane topics that hide a very subtle depth.

This is the book that takes me back to the solitude, insecurities, dreams, and questions I had at 15, living in a small town, and even now, at almost 30, it makes me wonder if anything has really changed.




Note 

“There’s something liberating about being ordinary in a world obsessed with the extraordinary.”












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